Sunday, December 30, 2018

Poem created by a person who lived in a Supported Residential Accommodation

Poem created by a person  who lived in a Supported Residential Accommodation ( SRS)  (Victoria Australia  -  Art Access Victoria) 

I can't put the name to the poem as I am sure of her name. I do not feel it is a breach of her copyright as the poem has several versions and changed constantly. I am unsure of her name as I only met her once and she changed the spelling of her name constantly.  The recording of her poem came about as she yearned for someone to write down her story or fragmented memory and it was spurred on by the idea that the artists at the SRS were going to exhibit at local Library. Being noticed, recorded and part of something bigger was important for these artists as they often didn't have any contact with anyone and were very isolated. I think this is why she felt she urgently needed to have her story recorded. She came up to me as I was conducting the art classes at the SRS  with variations of the poem as if she was remembering fragments and was altering as it came into her memory. There was a  sense of urgency to have someone record her memory.  She changed each line slightly  and  the poem changed continually and it was a very fluid process 

*The process was like a drawing that was plotted very loosely and there was a pentimento line that was erased and re-altered constantly to find the right connections.

*The process was like a clay sculpture where the form was felt and found and was slippery and changing constantly and considered the whole. 

*The poem is fragmented and assembled like a  cubist painting (large gaps in space and it was multifaceted).  The poem was derived from a fairy tale or song and  I think it is a fusion of romantic fragments that also alluded to historical references. But due to the fragmentation and re-working, it has its own life. 

*It is the urgency in the poem and the need to record it that ties it together. It reminded me of Kandinsky's reference to 'necessity'.     

The memory and the power of the poem was very strong to her and she needed a break and ran off into her room. As she remembered the memory and she altered a line in the poem she came out of her room and she asked me to record it.

I felt compelled to at least record it on my blog for her.

The lines are in order. 


The poem
I have the music of your song

But I don't know the words

Once the gypsy handed

Hear the flutist knights

But he stole your soul

Now enchanted and bewitched

And dance endless of 

Gene of a captive heart.



Saturday, December 29, 2018

Natural patterns and forms

Interesting forms in nature













Collated research and links on painting




Loss#2, 170cm Hx 100cm W, mixed media on canvas ( Fiona Halse)



Art historian and critic Isabelle Graw offers up just such a definition, addressing this seemingly contradictory task3 head on, proposing this definition: “Painting is a form of production of signs that is experienced as a highly personalized semiotic activity.”4


Collated resources on contemporary painting:


https://www.e-flux.com/announcements/32448/international-conference-on-contemporary-painting





Jan Verwoert, ‘Why are Conceptual artists painting again? Because they think “it’s a good idea”’.
Keynote speech for the 36th Association of Art Historians Society Conference at the Glasgow School of Art.

·         Painting Abstraction: New Elements In Abstract Painting

·         Books: Painting is a Critical Form, Helen Johnson, 3-Ply

·         The Forever Now: Contemporary Painting in an Atemporal World


·         Painting Today Tony Godfrey, Phaidon, 2009

·         Painting Abstraction: New Elements In Abstract Painting, Bob Nickas, Phaidon, 2009

·         Painting as Model, Yve Alain Bois, MIT Press, 1993


Contemporary painting exhibitions:




Interesting links/resources:

Isabella Graw, Ewa Lajer-Burcharth – Painting beyond itself. The medium in the post-medium condition


Baudeliare – https://www.writing.upenn.edu/library/Baudelaire_Painter-of-Modern-Life_1863.pdf

Thinking Through Painting: Reflexivity and Agency Beyond the Canvas ( book)

Australian Painting:

https://www.ngv.vic.gov.au/multimedia/patrick-mccaughey-strange-country-why-australian-painting-matters/


Painting. More Painting, ACCA, 2016


Shut Up and Paint, NGV International

Conferences:



 Interesting articles: 



http://esthesis.org/beyond-zombie-formalism-painting-after-the-end-of-painting-iwo-zmyslony/



http://artfcity.com/2014/02/04/the-painting-is-dead-versus-painting-is-back-list/



https://www.questia.com/library/94448627/the-great-experiment-russian-art-1863-1922





Friday, December 7, 2018

Support 18: Five Walls




 Above image: Bunker, collage, 25.5cm (W) x 28.5cm (H) ( framed)


SUPPORT 18 is equally an exhibition and a fundraiser, with the commission raised supporting the practices of artists and also used to fund the Five Walls 2019 program - therefore proceeds will be evenly divided: 50% to the artist and 50% to the Gallery.  SUPPORT 18 will fund Five Walls' new Curator Program. The 2019 Curator Program will feature three exhibitions curated by Billy GrunerDavid Thomas and Craig Easton in collaboration with the Director and Committee. The program will introduce new artists and audiences to the Gallery from across Australia and internationally. Five Walls is expanding in 2019 with a large new gallery space showing a variety of exhibitions, including the Curator Program.

ARTISTS (so far) include: Aaron MartinRaymond Carter, Donna ComfortShelley JardineBilly GrunerKyle JenkinsTina DouglasBrett Colquhoun, Shaun O'Connor, Jimmy LangerKhi-Lee ThorpeIan WellsEllie Chalmers-RobinsonJason HaufeMark WingraveDavid Freney-MillsAndrew GutteridgeJulianne Clifford, Adrien DeVries, Rebecca MonaghanGraziela GuardinoAlizon Grey, Graeme Thompson, Yuria OkamuraAnnelies JahnAmarie Bergman, David ThomasCraig EastonPatricia TodarelloPeter LeighPJ HickmanPhil Edwards, Joyce Huang, Karen Wells, Simon Morris, Louise BlytonSally TapeStephen WickhamRhett d’CostaRobin KingstonFiona HalseMax Lawrence WhiteDavid Freney-Mills, John AslanidisChris PackerDonna Comfort, Wendy KellyMichael BullockCharlotte WatsonPeter FiferChris BondAdrien AllenNancy ConstandeliaSusan AndrewsElke VargaNick BerryStephen HaleyDarren WardleBryan SpierSarah KeigheryGraham King Davis

Exhibition Details:

Closing event
: Friday, December 21st, 6-9pm

Exhibition duration: December 19th - 22nd

Hrs: Wednesday - Saturday,  12-5pm

Address: Five Walls, Suites 2, 3 & 4, level 1 /119 Hopkins Street,  Footscray, VIC, Australia

Phone: +61 0421 706 205

Email: info@fivewalls.com.au



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my work 'Bunker' - middle left