Fiona Halse

Sunday, August 8, 2021

Where the Sand meets the Sea and the Sun

Solo Exhibition

Where the Sand Meets the Sea and the Sun
BMG Art Gallery (Adelaide, Australia)

Friday 24 September - Saturday 16 October 2021

Opening: Friday 24 September 2021 , 6.30pm - 8.30pm ( bookings essential)

‘Where the Sand meets the Sea and the Sun’ represents infinity and resurrection. These three landscape horizontal markers ( sand, sea ,sun) merge and connect to the earth. There is an expansive sensation when facing these elements, but also a sense of insignificance and vulnerability. To me, this force of nature merges with my own presence and there is a sense of being reshaped as a ‘man of clay’.

This exhibition traces memories associated with my late father Huw Halse and explores his love of the ocean. The work has open and vulnerable passages but there is also a need to structure light and stabilise the movement of water, shifting sands, and fluid painterly passages. There are some traces of my father’s architectural plans that are embedded into the collages and the forms trigger memories and provide ideas for structural frameworks. Form in the work is generated through haptic processes and as a gestural painter, this expressive offering that is embedded in the material embodies a   personal truth.

Thank you to Eastern Beach House Artist Residency ( Geelong, Australia) for supporting the  development of some of the work within this exhibition

Exhibition Dates: 24 September 2021 - 16 October  2021
Address: BMG Art Gallery, 444 South Rd, Marleston SA, 5033, Australia
Hours: Tuesday to Friday 12noon - 5pm; Saturday 2pm - 5pm (or by appointment)
Web: https://www.bmgart.com.au
Email: art@bmgart.com.au; Phone: +61 8 82972440; Mobile: 0421 311 680

The work in this exhibition has been divided into concepts :

1/Sand and Sea 2/ Sun 3/ Man 4/Architectural Traces

Some work relates to the architectural drawings of my father and ideas relating to Man of Clay (reinvention of the human form and anthropomorphic being).

Some of the works have Welsh titles reflecting my father’s Welsh heritage

Sea and Sand

Sun

Man

Architectural Traces

Video of Exhibition:

Installation Images:

More information and relevant links:

BMGartgallery link to the exhibition

http://fionahalse.blogspot.com/2021/01/wathurong-and-eastern-beach-house.html

http://fionahalse.blogspot.com/2019/03/where-sea-meets-sand-heddwch-peace.html

Sunday, January 10, 2021

Wathaurong and Eastern Beach House Residency

I was awarded a residency late December 2020 at Eastern Beach Art House ( Geelong, Victoria, Australia)

The House sits amidst a large verdant garden and boasts tri-level views over Corio Bay, including Eastern Beach and the Royal Geelong Yacht Club marina.

Eastern Beach Art House has been largely furnished with a rich collection of artworks and antiquities from the former Brooklyn Arts Hotel in Fitzroy, Melbourne.

The house is noted by the Victorian Heritage Council as being of local significance. Built in 1909 by prominent Geelong architects Laird and Buchan, this finely crafted art deco home was further improved in 1947. The unique period design remains with modern kitchen and bathroom amenities.

During this time I continued work on a series of work that relates to my late father Huw Halse and his connection to Wathaurong building he designed in Geelong and the connection of the earth to life and death.

Wathaurong

I was interested in how my father worked with the local indigenous community to integrate the water , natural textures and natural environment with the building he designed. He mentioned to me that he enjoyed the process of working with the local community to create this building and learning about the local community's needs and culture. He was very mindful to not have a structure that dominated the land or was imposing but one that was integrated and was owned by the community. There is a connection with the curved waterways, the curved ceremonial space and the the curved natural form of the building This building was created during his partnership with Cirrillo Architects ( Geelong) . My father preferred to hand draw his plans and the flowing and notation like linear structures in this building reflects this. He has ensured there was light within the structure that curves like a shell . He integrates forms with the natural environment through his attention to detail and assemblance of textures from straw hatched roofing and natural trees as pillars. Colouring of the building reflects the natural environment.

I acknowledge the Traditions Custodians of the land the Wathaurong and Wadawurrong People of the Kulin Nation. We pay our respects to their Elders past and present, Elders in our community and our emerging leaders.

I am very thankful to have this place to reflect on my father - thank you to the local community

Experimenting with sculpture

Inspired by ceremonial space and the tree that is dead and cut but also alive and is feminine and seems fertile and but also masculine and projects upwards. Dead and alive, male and females integrated and cyclical.

Previous work that relates:

Man of Clay

Gathering of matter. Dust is caressed and reclaimed. There is a pulse of warmth behind the clay that can only be applied to a surface now. Seeking resurrection and there is a vain attempt to create an anthropomorphic being. Layers of Time sift through the surface of the clay, its erosion can be evident, but it can be reshaped.

Wathaurong

Shifting sediments and eruptions from the earth creates erosions, shifts and changes. Is there a glimpse of lustre in the horizon ? Is there gravity or force in disappearing sand? Layers of time can become dust . Utilising the architecture plans of Wathaurong ( Geelong) created by my late father Huw Halse, I seek to reconstruct his presence and trace and his markings, hoping to find his spirit.