Existentialist philosopher
Jean-Paul Sartre, in fact, Giacometti's sculpture was "always halfway
between nothingness and being."
http://www.ahandfulofleaves.org/documents/BeingAndNothingness_Sartre.pdf
The most
profound interpretation of Giacometti's imagery can be found in two essays of
Jean Paul Sartre, "The Quest for the Absolute" (1948) and "The
Paintings of Giacometti" (1954), both translated into English and
published in Sartre's Essays in Aesthetics (1964).
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