Sunday, December 30, 2018
Poem created by a person who lived in a Supported Residential Accommodation
Poem created by a person who lived in a Supported Residential Accommodation ( SRS) (Victoria Australia - Art Access Victoria)
I can't put the name to the poem as I am sure of her name. I do not feel it is a breach of her copyright as the poem has several versions and changed constantly. I am unsure of her name as I only met her once and she changed the spelling of her name constantly. The recording of her poem came about as she yearned for someone to write down her story or fragmented memory and it was spurred on by the idea that the artists at the SRS were going to exhibit at local Library. Being noticed, recorded and part of something bigger was important for these artists as they often didn't have any contact with anyone and were very isolated. I think this is why she felt she urgently needed to have her story recorded. She came up to me as I was conducting the art classes at the SRS with variations of the poem as if she was remembering fragments and was altering as it came into her memory. There was a sense of urgency to have someone record her memory. She changed each line slightly and the poem changed continually and it was a very fluid process
*The process was like a drawing that was plotted very loosely and there was a pentimento line that was erased and re-altered constantly to find the right connections.
*The process was like a clay sculpture where the form was felt and found and was slippery and changing constantly and considered the whole.
*The poem is fragmented and assembled like a cubist painting (large gaps in space and it was multifaceted). The poem was derived from a fairy tale or song and I think it is a fusion of romantic fragments that also alluded to historical references. But due to the fragmentation and re-working, it has its own life.
*It is the urgency in the poem and the need to record it that ties it together. It reminded me of Kandinsky's reference to 'necessity'.
The memory and the power of the poem was very strong to her and she needed a break and ran off into her room. As she remembered the memory and she altered a line in the poem she came out of her room and she asked me to record it.
I felt compelled to at least record it on my blog for her.
The lines are in order.
The poem
I have the music of your song
But I don't know the words
Once the gypsy handed
Hear the flutist knights
But he stole your soul
Now enchanted and bewitched
And dance endless of
Gene of a captive heart.
Saturday, December 29, 2018
Collated research and links on painting
Loss#2, 170cm Hx 100cm W, mixed media on canvas ( Fiona Halse)
Art historian and critic Isabelle Graw offers up just such a definition, addressing this seemingly contradictory task3 head on, proposing this definition: “Painting is a form of production of signs that is experienced as a highly personalized semiotic activity.”4
Collated resources on contemporary painting:
https://www.e-flux.com/announcements/32448/international-conference-on-contemporary-painting
Jan Verwoert, ‘Why are Conceptual artists painting again? Because they think “it’s a good idea”’.
Keynote speech for the 36th Association of Art Historians Society Conference at the Glasgow School of Art.
· Painting Abstraction: New Elements In Abstract Painting
· Books: Painting is a Critical Form, Helen Johnson, 3-Ply
· The Forever Now: Contemporary Painting in an Atemporal World
· Painting Today Tony Godfrey, Phaidon, 2009
· Painting Abstraction: New Elements In Abstract Painting, Bob Nickas, Phaidon, 2009
· Painting as Model, Yve Alain Bois, MIT Press, 1993
https://www.painters-table.com/link/studio-international/painting-now-suzanne-hudson
http://s3.amazonaws.com/arena-attachments/2405937/320ac8ed044bb5e9431ffea5f619af17.pdf?1531168309
Contemporary painting exhibitions:
Interesting links/resources:
Isabella Graw, Ewa Lajer-Burcharth – Painting beyond itself. The medium in the post-medium condition
Baudeliare – https://www.writing.upenn.edu/library/Baudelaire_Painter-of-Modern-Life_1863.pdf
Thinking Through Painting: Reflexivity and Agency Beyond the Canvas ( book)
Australian Painting:
https://www.ngv.vic.gov.au/multimedia/patrick-mccaughey-strange-country-why-australian-painting-matters/
Painting. More Painting, ACCA, 2016
Shut Up and Paint, NGV International
Conferences:
http://events.arts.ac.uk/event/2018/6/21/SYMPOSIUM-Painting-as-ReModel-Revisiting-Painting-as-Model/
Interesting articles:
http://esthesis.org/beyond-zombie-formalism-painting-after-the-end-of-painting-iwo-zmyslony/
http://artfcity.com/2014/02/04/the-painting-is-dead-versus-painting-is-back-list/
https://www.questia.com/library/94448627/the-great-experiment-russian-art-1863-1922
https://www.tate.org.uk/research/publications/tate-papers/20/kenneth-clark-and-the-death-of-painting
Friday, December 7, 2018
Support 18: Five Walls
Above image: Bunker, collage, 25.5cm (W) x 28.5cm (H) ( framed)
SUPPORT 18 is equally an exhibition and a fundraiser, with the commission raised supporting the practices of artists and also used to fund the Five Walls 2019 program - therefore proceeds will be evenly divided: 50% to the artist and 50% to the Gallery. SUPPORT 18 will fund Five Walls' new Curator Program. The 2019 Curator Program will feature three exhibitions curated by Billy Gruner, David Thomas and Craig Easton in collaboration with the Director and Committee. The program will introduce new artists and audiences to the Gallery from across Australia and internationally. Five Walls is expanding in 2019 with a large new gallery space showing a variety of exhibitions, including the Curator Program.
ARTISTS (so far) include: Aaron Martin, Raymond Carter, Donna Comfort, Shelley Jardine, Billy Gruner, Kyle Jenkins, Tina Douglas, Brett Colquhoun, Shaun O'Connor, Jimmy Langer, Khi-Lee Thorpe, Ian Wells, Ellie Chalmers-Robinson, Jason Haufe, Mark Wingrave, David Freney-Mills, Andrew Gutteridge, Julianne Clifford, Adrien DeVries, Rebecca Monaghan, Graziela Guardino, Alizon Grey, Graeme Thompson, Yuria Okamura, Annelies Jahn, Amarie Bergman, David Thomas, Craig Easton, Patricia Todarello, Peter Leigh, PJ Hickman, Phil Edwards, Joyce Huang, Karen Wells, Simon Morris, Louise Blyton, Sally Tape, Stephen Wickham, Rhett d’Costa, Robin Kingston, Fiona Halse, Max Lawrence White, David Freney-Mills, John Aslanidis, Chris Packer, Donna Comfort, Wendy Kelly, Michael Bullock, Charlotte Watson, Peter Fifer, Chris Bond, Adrien Allen, Nancy Constandelia, Susan Andrews, Elke Varga, Nick Berry, Stephen Haley, Darren Wardle, Bryan Spier, Sarah Keighery, Graham King Davis
Exhibition Details:
Closing event: Friday, December 21st, 6-9pm
Exhibition duration: December 19th - 22nd
Hrs: Wednesday - Saturday, 12-5pm
Address: Five Walls, Suites 2, 3 & 4, level 1 /119 Hopkins Street, Footscray, VIC, Australia
Phone: +61 0421 706 205
Email: info@fivewalls.com.au
Web: www.fivewalls.com.au
my work 'Bunker' - middle left
Sunday, September 2, 2018
Finalist: Tidal.18 - the City of Devonport National Art Award
Exhibition Dates: 3 November 2018 – 27 January 2019
Opening and Award Night: Friday 2 November 2018
Floor Talk: Saturday 3 November
Location: Devonport Regional Gallery,
45-47 Stewart Street, Devonport, Tasmania, Australia
More Information Location: Devonport Regional Gallery,
45-47 Stewart Street, Devonport, Tasmania, Australia
The Tidal: City of Devonport National Art Award is a biennial, acquisitive award. Artists residing in Australia are invited to submit 2-dimensional artworks that reflect on tidal – the natural, cultural, personal or political concerns related to the sea and coastal regions.
The Award provides a contemporary platform for artists to ponder the myriad perspectives and challenges inherent within the interconnections of land and sea while also encouraging excellence in concept, innovation and execution of 2-dimensional artwork.
The $15,000 Major Award is sponsored by the Devonport City Council and the Devonport Regional Gallery Friends Committee. $1,000 People’s Choice Award is sponsored by Collins Real Estate, Devonport. This is a non-acquisitive award selected by the viewers of Tidal. The Award is announced at the conclusion of the exhibition.
The Award aims to:
- Encourage experimentation within and across mediums relative to 2-dimensional works of art
- Present a stimulating and diverse exhibition of contemporary Australian art practice to the Devonport Community and visitors to the region
- Promote excellence in contemporary visual art that reflects on natural, cultural, personal or political concerns related to the sea, coastal regions and coastal communities
Works by the following artists have been preselected:
Tasmania: Diane Allison, Priscilla Beck, Nikala Bourke, Sean Coyle, Alex Davern, Selena de Carvalho, Keith Deverell (2 works), Lisa Garland, Neil Haddon, Leigh Hobba, Mandy Hunniford, Liam James, Kim Lehman, Sue Lovegrove, Marion Marrison, Jennifer Marshall, Penny Mason, Janelle Mendham, Anne Morrison, James Newitt, Robert O'Connor, Tom O'Hern, David Stephenson, Martin Walch, Megan Walch, Matt Warren, Emily-Rose Wills, Stephen Woodbury and Chee Yong.
New South Wales: Heather Burness, Julia Davis, Tina Havelock Stevens, Rodney Pople and Peter Stevens
Queensland: Kathrin Dierich & Trevor David O'Dwyer (joint work), Amanda Jane Gabori and Shannon Toth
Victoria: Mark Dober, Fiona Halse, Bridget Hillebrand, Martin King, Megan McPherson, Valerie Sparks,
Northern Territory: Sarah Genevieve Pirrie
Western Australia: Brian Robinson
Work selected:
Installation view - photographer Kelly Slater
Installation view - photographer Kelly Slater
Above image: Where the Sea meets the Sand, mixed media on canvas, 200cm(W) x170cm (H), 2018
Above image: ( detail) Where the Sea meets the Sand, mixed media on canvas, 200cm(W) x170cm (H), 2018
Information regarding this work:
Tuesday, August 21, 2018
Of Colour & Light - Women Abstract Artists
Of Colour and
Light, Women Abstract Artists Biennial 2020
15 December
2020 - 28 February 2021
Opening 19 January 2021 ( 5- 8pm)
Opened by Leah Justin ( Justin Art House Museum) at 6pm
Opened by Leah Justin ( Justin Art House Museum) at 6pm
West End Art Space, Melbourne, Australia
This is the third
abstract biennial hosted by West End Art Space, curated by Anna Prifti, that
aims to provide a platform to women abstract artists from the state of
Victoria. It began in 2016 with the aim to showcase and advocate that women
artists have been an integral part of the Abstract movement.
This year the biennial coincides with the opening of our new gallery space in Adderley Street, West Melbourne. There will be a variety of artworks on show, with women working in a diverse range of contemporary art practices, established and well-recognised careers. Abstraction in an array of styles -lyrical, expressive, intuitive, hard-edged, reductive, minimalist – becomes unified by an ongoing conversation on colour and light.
This year the biennial coincides with the opening of our new gallery space in Adderley Street, West Melbourne. There will be a variety of artworks on show, with women working in a diverse range of contemporary art practices, established and well-recognised careers. Abstraction in an array of styles -lyrical, expressive, intuitive, hard-edged, reductive, minimalist – becomes unified by an ongoing conversation on colour and light.
Research/ reference:
Link to - Catalogue essay created by DR Wendy Kelly ( Artist in the exhibition)
Link to - Leah Justin ( Justin Art House Museum) opening speech
Video of Speech
Video of opening (created by Katherine Stevens)
Video of exhibition
Link to:
Advertisements
Vault Magazine
Vault Magazine
General advertisement
Art Collector Magazine
Fiona Halse -' Passing Tide', 91Wx 122H cm , mixed media on canvas
Fiona Halse - 'Spring Snow', 200cm W x 170cm H, mixed media on canvas (online option - on show in storeroom spaces)
______________________________
Of Colour & Light
5 - 27 October 2018
West End Art Space, Melbourne, Australia
A Biennial Show by Victorian Women Abstract Artists
Exhibition: 5 - 27 October 2018
Opening: Saturday 6 October 2018
Guest speaker: Kate Nodrum
Hrs: Wed- Friday 11am-4pm, Saturday 10am-3pm ( open other times by appointment)
Location: West End Art Space
Address: 185 Rosslyn Street, West Melbourne, VIC, 3003, Australia
Contact: Anna Prifti - Director
Email: westendartspace@gmail.com
Phone:+61 0415 243 917
Link to Media release
Link to Catalogue Essay written by Dr Elisabeth Bodey
Link to List of Works
Link to Podcast Alex McCulloch Arts Show
Opening: Saturday 6 October 2018
Guest speaker: Kate Nodrum
Hrs: Wed- Friday 11am-4pm, Saturday 10am-3pm ( open other times by appointment)
Location: West End Art Space
Address: 185 Rosslyn Street, West Melbourne, VIC, 3003, Australia
Contact: Anna Prifti - Director
Email: westendartspace@gmail.com
Phone:+61 0415 243 917
Link to Media release
Link to Catalogue Essay written by Dr Elisabeth Bodey
Link to List of Works
Link to Podcast Alex McCulloch Arts Show
Image above: Speeches - L-R : Anna Prifti ( Director and Curator), Kate Nodrum ( Guest Speaker - Charles Nodrum Gallery)
Image above: Artists in 2018 exhibition
Installation image - L- R: Tracey Coutts, Vanessa Oter, Elisabeth Bodey, Roz Esplin, Cathy Muhling, Fran O'Neill
Installation image - L-R: Fiona Halse, Jennifer Goodman, Louise Blyton, Samara Adamson-Pinczewski, Wendy Kelly
Installation image - L-R: - Louise Blyton, Melinda Harper
Installation image - L-R: Terri Brooks, Louise Blyton, Louise Blyton, Wilma Tabacco
Installation image - R- L - Suzanne Moss, Renecca Monaghan, Louise Blyton, Robin Kingston
Installation image -L-R: Louise Blyton, Robin Kingston, Shelly Jardine
Installation image - L-R: Louise Blyton, Melinda Harper, Linda Pickering
Installation image - L-R: Elisabeth Bodey, Roz Esplin, Cathy Muhling
Image above: Magda Cebokli
Image above: Eleanor Hart
Image above: Samara Adamson- Pinczewski
Image above: Anna Caione
Image above: Lindy Patterson
Image above: Fiona Halse - Loss #1, 170cm (H) x 100cm (W), mixed media on canvas
____________________________________________________________
Of Colour & Light - Abstraction in Victoria ( 2016)
Exhibition: 10 June - 18 July 2016Opening: Saturday 11 June 2016
Guest speaker: Charles Nodrum
Location: Yarra Sculpture Space
Address: 117 Vere Street, Abbotsford, Melbourne, VIC, Australia
Installation image - ( from 'Of Colour & Light - Abstraction in Victoria' ( 2016) exhibition)
Installation image - Christine Healy ( from 'Of Colour & Light - Abstraction in Victoria' ( 2016) exhibition)
Installation image ( from 'Of Colour & Light - Abstraction in Victoria' ( 2016) exhibition)
Installation image ( from 'Of Colour & Light - Abstraction in Victoria' ( 2016) exhibition)
Guest Speaker: Charles Nodrum
Curator; Anna Prifti
Image: artists ( from 'Of Colour & Light - Abstraction in Victoria' ( 2016) exhibition)
Image: Wilma Tabacco( from 'Of Colour & Light - Abstraction in Victoria' ( 2016) exhibition)
Related projects and Exhibitions
Image: Wilma Tabacco ( from 'Of Colour & Light - Abstraction in Victoria' ( 2016) exhibition)
Other projects - Wilma Tabacco:
Archived projects (EG - Stephen McLaughlan Gallery, Melbourne, Lethaby Gallery, Central Saint Martins College of Art and Design, London)
Director - Langford 120 Gallery
Abstraction 2018
Deakin University Art Gallery launches The Centre for Abstract and Non-Objective Art.
The launch coincides with the beginning of The Void. Visible. Abstraction & Non-Objective Art, a new exhibition for 2017 that includes the work of artists Stephen Wickham, Stephen McCarthy, Andrew Christofides and Wilma Tabacco. Link
Image: Terri Brooks
Other projects - Terri Brooks:Blog on abstraction - Art Thoughts Blog
Image: Louise Blyton ( from 'Of Colour & Light - Abstraction in Victoria' ( 2016) exhibition)
Other projects - Louise Blyton:
2017 Chromatopia - A History of Colour (guest curator) Tacit Contemporary
Many abstract artists curated in this exhibition
http://chromatopia.org
Image: Merryn Trevethan ( from 'Of Colour & Light - Abstraction in Victoria' ( 2016) exhibition)
Other projects - Merryn Trevethan:
This Wild Song - curated exhibition in Singapore ( High Commission) - Women artists
Image: Fran O'Neill
Other Projects - Fran O'Neill:
The Other Side of Things: Women of Abstraction
Eleanor Hart Paintings from 'Unfolding Time' exhibition ( 2017)
Other Projects - Eleanor Hart:
Solo exhibition Unfolding Time at Glen Eira City Council Gallery (2017)
The paintings and drawings are part of a series that references the title. This visual research is about place and memory, dealing with ‘escaping’ from Vienna in the war years. The energy in Eleanor Hart’s work has been encapsulated by the discovery of letters written in Gothic German that were hidden and revealed decades later.
The concept of Unfolding Time resonates through the painterly abstraction that is the vibrating medium.
Other Projects - Melinda Harper:
Colour Sensation - the Works of Melinda Harper ( 2015) - Heidi Museum of Modern Art
Colour and optical vibrancy animate Melbourne artist Melinda Harper’s remarkable oeuvre of abstract works developed over three decades. While Harper is best known as a painter, this survey reveals a surprising diversity of practice in its inclusion of drawings, collages, screenprints, experimental photographs, painted objects and exquisite handmade embroideries.
https://www.heide.com.au/exhibitions/colour-sensation-works-melinda-harper
Know my Name
A celebration, a
commitment and a call to action, know my name is a gender equity initiative of
the National Gallery of Australia. Know my name celebrates the work of all
women artists with an aim to enhance understanding of their contribution to Australia’s
cultural life.
https://knowmyname.nga.gov.au/
Exhibition of Fiona Halse and Anna Caione
White on White
Abstract Exhibition curated by Langford 120 and Wilma Tabacco
Wendy Kelly - exhibition at Westend Art Space
http://nag.org.au/Exhibitions/Current/Archives/2017/Abstraction
https://denverartmuseum.org/exhibitions/women-abstract-expressionism
https://www.moma.org/calendar/exhibitions/3663
http://www.artmuseum.qut.edu.au/exhibit/2018/abstraction.jsp
General Abstraction, Australia ( list is not exhaustive):
http://www.kingstonarts.com.au/VISUAL-ART/Exhibitions/Abstraction
http://factory49.blogspot.com/2018/08/fifty-years-after-field-sydney.html
https://westspace.org.au/exhi/16771/the-drawing-is-just-not-there
http://www.contemporaryarttasmania.org/program/beyond-the-field-still
https://www.charlesnodrumgallery.com.au/news/visions-of-utopia/
https://www.heide.com.au/exhibitions/call-avant-garde-constructivism-and-australian-art
https://www.smh.com.au/entertainment/art-and-design/an-abstract-notion-thats-hard-to-grasp-20130516-2jp3b.html
Fifty years after the Field ( Factory 49) - catalogue essay
Sydney Non-Objective
see - Abstraction Twenty Eighteen link
Interesting and related articles or links ( list is not exhaustive):
https://instantloveland.com/wp/2018/10/07/lisa-sharp-orbiting-the-field/
https://hyperallergic.com/377975/an-illustrated-guide-to-linda-nochlins-why-have-there-been-no-great-women-artists/?fbclid=IwAR142PXbd2P9G65r-cYsOLsgfHvENs413AgiFxEKthq0ypnYQJ7U1m33b2Q
https://www.theguardian.com/artanddesign/2016/feb/21/hilma-af-klint-occult-spiritualism-abstract-serpentine-gallery
https://www.artsy.net/article/artsy-editorial-momas-first-work-female-artist-fur-lined-teacup
https://www.artsy.net/news/artsy-editorial-national-gallery-acquired-artwork-made-female-artist-first-time-27-years
https://www.biennaleofsydney.art/artists/riet-wijnen/
https://www.airgallery.org/
http://www.womensartregister.org/
https://frieze.com/article/national-gallery-purchases-ps36m-artemisia-gentileschi-transforming-how-it-tells-story-women
Essay - Why has there not been any great Women Artists?
https://www.washingtonexaminer.com/camille-paglia-on-metoo-great-art-has-often-been-made-by-bad-people
https://artsatl.com/artsatl-qa-camille-paglia-importance-art-history-genius-%E2%80%9Cstar-wars%E2%80%9D/
Jeanette Winterson - Angels of Anarchy: Women Artists and Surrealism
https://www.ngv.vic.gov.au/media_release/whos-afraid-of-colour
https://www.nytimes.com/1979/10/28/archives/women-painters-and-germaine-greer-artists-greer.html
http://artsreview.com.au/how-our-art-museums-finally-opened-their-eyes-to-australian-women-artists/
Joan Kerr
http://www.crossart.com.au/other-projects/contemporary-art-and-feminism
Past present: the national women's art anthology / edited by Joan Kerr and Jo Holder
Elizabeth Grosz - Chaos, Territory, Art: Deleuze and the Framing of the Earth
Other Victorian Abstract Women Artists ( list is not exhaustive):
https://marsgallery.com.au/julie-irving/
https://www.charlesnodrumgallery.com.au/exhibitions/kim-westcott/
https://blockprojectsgallery.com/georgia-biggs-bio
https://blockprojectsgallery.com/julia-powles-bio
https://blockprojectsgallery.com/mary-barton-bio
https://blockprojectsgallery.com/vivian-cooper-smith-bio
https://www.jowilson.net/
https://www.heide.com.au/exhibitions/erica-mcgilchrist-selected-works-1951%E2%80%931995
http://niagaragalleries.com.au/angela-brennan
http://niagaragalleries.com.au/jennifer-joseph
https://www.ngv.vic.gov.au/exhibition/inge-king/
http://www.lizcoats.com.au/
Other Australian Abstract Women Artists ( list is not exhaustive):
http://www.artistprofile.com.au/debra-dawes/
https://artguide.com.au/janet-dawson-on-making-abstraction-sing
https://ildikokovacs.com.au/
https://www.shervingallery.com.au/event/margo-lewers-retrospective/
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